Early Fine Art Dealers buys original paintings by over 400 artists.

EARLY FINE ART DEALERS

Early Fine Art Dealers specializes in valuing and purchasing important paintings from the 17th century through the early 20th century. Our buyers are in constant search for fine works of art and paintings, spanning the globe for original well-known Old Master, European, American, and early California art. Each year we preview and participate in hundreds of private sales, art shows, gallery showings, exhibitions and auctions. We are in constant search for fine works to purchase. Please contact us today to discuss the sale of one of your paintings. Please note that our gallery only deals with original paintings. No Prints Please.



WE ARE DEALERS OF ORIGINAL PAINTINGS - To contact one of our gallery fine art experts about selling your painting or buying paintings for your collection, complete the form below. Please note that our gallery only deals with original paintings - No Prints Please.

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Harriet Randall Lumis (1870 - 1953)

Though she got a late start at studying and professional painting, American Impressionist Harriet Randall Lumis would enjoy a successful career. Born in Connecticut in 1870, Lumis' parents would discourage her interest in painting and drawing, and she would not be able to enjoy this activity until after her marriage in 1892.

She began to receive formal instruction in 1896, from Willis S. Adam who advocated the Barbizon School of painting "en plein air" and with a romantic eye for nature. Her earliest works under Adam's instruction were Tonalist landscapes, and she would soon seek the opinion and training of other artists. Her next mentor was Leonard Ochtman who introduced her to the New York Summer School at Mianus, near to the Cos Cob colony of Connecticut. Here she would paint less formal works with a significantly brighter palette. She would also reduce her scene to smaller vignettes rather than broad landscapes.

By 1912 Lumis was ready to submit her works, and entered the Buffalo Society of Artists annual exhibition. Her works received good reviews, and she was inspired to continue exhibiting her paintings. She continued to study and show her works and became a founding member of the Springfield Art League in 1919. By the early 1920s she had acquired professional representation in Chicago and St. Louis, was elected to the National Association of Women Painters and Sculptors and had altered her technique to an even lighter and less textured style.

Interestingly, at the age of seventy-nine Lumis invited traditional artists to join her in founding the Academic Artists Association; a group that would defend realism against the heavy influence of the modern and abstract works entering the mainstream.

She exhibited widely throughout her later career, and her works are in many important private and public collections.

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